Published by: Hatje Cantz in 2012.
Format: 24.50 x 28.50 cm, Hard cover
Pages: 136 pages, 60 color illustrations
Foreword: Timothy Persons
Texts: Daniel Marzona & Lyle Rexer
Design by: Juha Nenonen
In his first monograph, And Time is No Longer an Obstacle, Niko Luoma invites the viewer to his universe of light and repetition, including works between 2006 and 2012. Inspired by mathematics and geometry, Luoma focuses on the process as content and creates fascinating, abstract compositions through multiple exposures. With his analogue series based on light and abstract imagery, he is expanding the boundaries of the photographic process.
Published by: Hatje Cantz in 2005
Format: 30 x 24 cm, hardcover
Pages: 240 pages., ca. 180 color illustrations
Edited: the University of Art and Design Helsinki (TaiK)
Now: Aalto University School of Arts, Design and Architecture
Texts: Andrea Holzherr, Rupert Pfab, Timothy Persons,
Ferdinand Protzman, Jorma Puranen
Artists: Nanna Hänninen, Ilkka Halso, Ulla Jokisalo, Aino Kannisto, Sandra Kantanen, Pertti Kekarainen, Ola Kolehmainen, Janne Lehtinen, Niko Luoma, Riitta Päiväläinen, Jyrki Parantainen, Jorma Puranen, Pentti Sammallahti, Jari Silomäki, Santeri Tuori
Design by: Margarethe Hausstätter, Claudia Stein
Photography is one of the most successful items of cultural export in Finland. Now, for the first time, the internationally acknowledged artists are gathered together in one extensive book accompanying an exhibition travelling around the world. The Helsinki School presents works from over thirty different artists who have been studying or teaching at TaiK, the University of Art and Design in Helsinki. The goal is to introduce a new approach to where photography is in Finland today. Based on a concept by Timothy Persons and Jorma Puranen the amply illustrated volume presents an astounding overview.
Published by: Hatje Cantz in 2007.
Format: 29,50 x 24,50 cm hardcover
Pages: 232 pages, 187 color illustrations
Edited: University of Art and Design, Helsinki (TaiK)
Texts: Andrea Holzherr, Timothy Persons
Artists: Joonas Ahlava, Joakim Eskildsen, Miklos Gaál, Veli Granö, Ilkka Halso, Nanna Hänninen, Maarit Hohteri, Tiina Itkonen, Ulla Jokisalo, Jan Kaila, Ari Kakkinen, Aino Kannisto, Sanna Kannisto, Sandra Kantanen, Pertti Kekarainen, Ola Kolehmainen, Milja Laurila, Janne Lehtinen, Ville Lenkkeri, Anni Leppälä, Noomi Ljungdell, Niko Luoma, Susanna Majuri, Arno Rafael Minkkinen, Jyrki Parantainen, Jorma Puranen, Riitta Päiväläinen, Heli Rekula, Nanna Saarhelo, Pentti Sammallahti, Jari Silomäki, Mikko Sinervo, Marjukka Vainio, Ea Vasko, Pernilla Zetterman
Designed by: Margarethe Hausstätter, Claudia Stein
Based on the success of volume one, the latest installment of The Helsinki School represents one of the most unique approaches to the state of conceptual photography today. Volume two is dedicated to sustaining the dialogue between one generation and another who have either taught, graduated, or attended the University of Art and Design Helsinki, Finland. It will accompany an exhibition with venues all over the world. This unique, richly illustrated publication, based on a concept by Timothy Persons and Jorma Puranen also looks ahead to the emerging next generation.
Published by: Hatje Cantz, 2014
Format: 29.50 x 24.50 cm, hardcover
Pages: ca. 256 pages, ca. 180 illustrations
Texts: Holger Broeker, Alistair Hicks,Erika Hoffman-Koenige,
Andréa Holzherr,Timothy Persons, Lyle Rexer, Pari Stave,
Christoph Tannert, Jyrki Parantainen
Graphic design by: Hannes Aechter
I find it amazing that after twenty years of existence, the
Helsinki School cannot be defined by any one fixed point of view.
Conceptually there is a red thread connecting one generation to another
in the way they perceive and present their ideas but not necessarily in
how they apply them.
Timothy Persons (introduction)
Following the first four volumes of the Helsinki School, this new publication looks back at the development of this group of photographers over the past twenty years and traces the emergence of the photographic tendency bearing this name.
In a collection of essays, international curators, art critics, and museum directors describe their encounters with the Helsinki School, from the first exhibitions in the late nineties to the youngest generation of photographers. A discussion between Timothy Persons and Alistair Hicks concludes these contributions. The texts are accompanied by installation shots from numerous international exhibitions, archival materials, books, posters, invitations, and most recent works by the different generations of artists.